A sunny Sunday afternoon in April looking out over San Francisco's Dolores Park with the city skyline in the distance. Well over a thousand people were enjoying the sun that day, H Graem © 2007 |
The New Oxford American Dictionary defines a plaza as, "a public square, marketplace, or similar open space in a built-up area". It defines a square as, "an open area surrounded by buildings in a town, village or city" or "an open area at the meeting of streets." Wiktionary calls a plaza, "A town's public square." or "An open area used for gathering in a city, often having small trees and sitting benches."
These definitions are pretty much interchangeable. Although the
names differ, the spaces so variously titled are similar. Jointly they
describe a public open space dedicated to social activity of the city. Such spaces will continue to exist in the future city as they have for millennia in the past.
Criteria for Success
Pedestrians entering the Plaza Grande in Quito, Ecuador. H Graem © 2007 |
More important than what a public space is called is its actual success as a public space
enjoyed by the people in the city. Many cities have attempted to create
such spaces to bring people together. Not all have succeeded as a
public gathering place. Too many are notorious for their emptiness
rather than famous as a vibrant gathering place.
This post is searching for commonality among successful urban open
spaces. What have urban theorists and users of urban spaces
discovered on the subject? What attributes have
been found to lead to success?
Characteristics have been discovered which appear to lead to such success. I will call such characteristics; attributes of successful urban spaces. My sources are three urban theorists (Jane Jacobs, Camillo Sitte,
and Christopher Alexander) and the Project for Public Spaces. The following attributes are culled from these four sources.
Attributes* of Successful Urban Spaces
Kites in smog shrouded Tiananmen Square, Beijing, China H Graem © 2007 |
Enclosure - Give outdoor spaces some degree of enclosure; surround
each space with wings of buildings, trees, hedges, fences, arcades, and
trellised walks, until it becomes an entity with a positive quality
and does not spill out indefinitely around corners [CA: 522]. Although
buildings should not cut sun from a park - if the object is to
encourage full use - the presence of buildings around a park is
important in design. They enclose it [JJ, 138]. Public squares should
be enclosed entities. The main requirement for a plaza, as for a room,
is the enclosed character of its space [CS, 170].
Diversity - Possesses a diverse rim and diverse
neighborhood hinterland... Only diverse [economic and social]
surroundings have the practical power of inducing a natural, continuing
flow of life and use [JJ: 125, 132]. The streets and sidewalks around
a square greatly affect its accessibility and use, as do the
buildings that surround it. An active, welcoming outer square is
essential to the well-being of the inner square [PPS: 7].
Quiet time in December on the 'Esplanade' of Yerba Buena Gardens H Graem © 2007 |
Intricacy - Intricacy at eye level, change in the
rise of ground, groupings of trees, openings leading to various focal
points - in short, subtle expressions of difference [JJ: 136]. Any
great square has a variety of smaller "places" within it to appeal to
various people [PPS: 2].
Sun - Sun is part of a park's setting for people, shaded, to be sure, in summer [JJ: 138].
Clear Centers - That the center of plazas be kept
free. To the ancient rule of placing monuments [and buildings] around
the edge of public squares is thus allied another ... to place
monuments and ... fountains at points in the square untouched by
[vehicle] traffic [CS: 162, 163].
Map of Yerba Buena Gardens with its Esplanade at the center and the Children's Garden below next to the Moscone Convention Center. |
Irregularity in Shape -
Irregularities [of old plazas] do not have an unpleasant effect at all,
but on the contrary, they enhance naturalness, they stimulate our
interest, and, above all, they augment the picturesque quality of the
tableau [CS: 186].
Flexibility - The use of a square changes during the course of the day, week, and
year. To respond to these natural fluctuations, flexibility needs to be
built in. Skating rinks, outdoor cafés, markets, horticulture displays, art and
sculpture help adapt our use of the space from one season to the next. Great squares ... change
with the seasons. [PPS: 4 & 5].
Access - A square needs to be easy to get to. The
best squares are always easily accessible by foot. Just as important as
the edge of a square is the way that streets, sidewalks and ground
floors of adjacent buildings lead into it. Elements within the square
are visible from a distance, and the ground floor activity of buildings
entices pedestrians to move toward the square. A square surrounded by lanes of fast-moving traffic will be cut off from
pedestrians and deprived of its most essential element: people. [PPS: 6 & 8].
*The attributes come from four sources. The particular source is indicated by the author's abbreviation and the page number, or in the case of the PPS, the Principle number.
The Esplanade and the Children's Garden of Yerba Buena Gardens in San Francisco well illustrate the attributes discussed here. Of the nine attributes, only Alexander's size standard appears violated, or in this case, exceeded. Even better, Yerba Buena Gardens masks one of the most aesthetically destructive urban edifices, the Muscone convention center. The city wisely located much of this facility underground.
*The attributes come from four sources. The particular source is indicated by the author's abbreviation and the page number, or in the case of the PPS, the Principle number.
- Alexander, Christopher, et al, A Pattern Language, 1977.
- Jacobs, Jane, The Death and Life of Great American Cities, 1961.
- Sitte, Camillo, City Planning According to Artistic Principals, Dover, 1986 (Original in German, 1889, Translated by George R. Collins & Christiani Crasemann Collins).
- The Project for Public Spaces, based on analysis of successful urban spaces, has created 10 Principles for Successful Squares.
The Esplanade and the Children's Garden of Yerba Buena Gardens in San Francisco well illustrate the attributes discussed here. Of the nine attributes, only Alexander's size standard appears violated, or in this case, exceeded. Even better, Yerba Buena Gardens masks one of the most aesthetically destructive urban edifices, the Muscone convention center. The city wisely located much of this facility underground.
In contrast, Tiananmen Square appears to violate most of the attributes. It is one of
the largest squares in the world. Its vitality is saved by its
location at the center of China's capital city adjacent to the Forbidden
City of the former emperers. Without the people drawn within by the
adjacent uses, it would be a most forbidding (pun intended) place.
Washington Square Union Square (Street and Satellite Views: © H Graem © Google Maps) |
Park in the Sky
With the finishing touches going on in 2019, San Francisco now hosts what might be the largest and most unique public park in the world. Salesforce Park is the roof of the Transbay Transit Center designed to centralize the San Francisco Bay Region’s
transportation network by conveniently connecting all points in the “Grand Central
Station of the West”.
The 5.4 acre Salesforce Park (the company purchased the naming rights) on top of the Transit Center extends 1,430 feet (440 m) long and 165 feet (50 m) in width with a park surface some 70 feet in the air. Salesforce Tower, next to the transit center at
First and Mission streets, has a fifth-floor bridge leading to the
rooftop park.
The park satisfies almost all of the "Attributes of Successful Urban Spaces" discussed above, albeit sometimes in rather unique ways. The park was comfortably used by adults and children when I first visited in the summer of 2019.
Salesforce Park as seen from a satellite view in Google maps. |
Salesforce Park walking trail H Graem © 2019 |
Salesforce Park escalator access H Graem © 2019 |
The park is a living roof where a curved walking trail lined with benches surrounds grassy lawns, dancing fountains, a children’s play area, and an amphitheater for staging free events from arts and crafts to Zumba®. Seventy feet above the Grand Hall, the Park runs the entire length of the Transit Center’s nearly four-block stretch. Home to 600 trees and 16,000 plants arranged in 13 different botanical feature areas, the newest public park in the San Francisco Bay Area is for the benefit and enjoyment of all...and there’s nothing else like it anywhere.Seventy feet above the Grand Hall, the Park runs the entire length of the Transit Center’s nearly four-block stretch. Home to 600 trees and 16,000 plants arranged in 13 different botanical feature areas, the newest public park in the San Francisco Bay Area is for the benefit and enjoyment of all...and there’s nothing else like it anywhere.
-
Everyone’s welcome to enjoy this public park, a living roof
where a curved walking trail lined with benches surrounds grassy lawns,
dancing fountains, a children’s play area, and an amphitheater for
staging free events from arts and crafts to Zumba®.
-
Seventy feet above the Grand Hall, the Park runs the entire
length of the Transit Center’s nearly four-block stretch. Home to 600
trees and 16,000 plants arranged in 13 different botanical feature
areas, the newest public park in the San Francisco Bay Area is for the
benefit and enjoyment of all...and there’s nothing else like it
anywhere.
-
Everyone’s welcome to enjoy this public park, a living roof
where a curved walking trail lined with benches surrounds grassy lawns,
dancing fountains, a’s play area, and an amphitheater for
staging free events from arts and crafts to Zumba®.
-
Seventy feet above the Grand Hall, the Park runs the entire
length of the Transit Center’s nearly four-block stretch. Home to 600
trees and 16,000 plants arranged in 13 differe feature
areas, the newest public park in the San Francisco Bay Area is for the
benefit and enjoyment of all...and there’s nothing else like it
anywhere.
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